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Since the Quantum 2626 is rack-mountable, it made for a clean, easily-organized setup in their beautiful Pageantry Innovations synth cart. The Quantum 2626’s Thunderbolt 3 connection ensured that pristine audio was delivered to the system with ultra-low latency. Presonus studiolive reaper software#The setup provided plenty of volume and enhanced clarity for the audience in every stadium they visited.įor the synth, a Mac Mini running Mainstage performance software fed into a Quantum 2626 audio interface, which then sent multiple outputs for synth patches, samples, and effects to the StudioLive 32R. To provide ample low end, five ULT18 subwoofers were utilized underneath the CDL speakers. Presonus studiolive reaper series#To deliver the highest audio quality to the audience, Phantom Regiment chose the CDL series hybrid array speakers in a two-box high LCR setup, which allowed for a smooth response across the entire frequency range-particularly in the midrange, where many instruments in the marching arts reside. ![]() Since setting up quickly is important in drum corps, a StudioLive 32R rack mixer in stagebox mode provided easy remote inputs on the field, all running to the main console via a single ethernet cable. ![]() Their 2021 production “Harmonic Journey” brought an exciting mix of both acoustic and electronic sounds through their PreSonus setup.Īt the heart of the setup, a StudioLive 64S digital mixer provided plenty of inputs to fit the needs of their performances, which include marimbas, vibraphones, synthesizers, hand percussion, and wireless microphones. Presonus studiolive reaper full#Our friends at Phantom Regiment, who have used PreSonus hardware and software since 2017, employed a full range of equipment including: a StudioLive Series III mixing ecosystem, CDL loudspeakers, ULT subwoofers, and Quantum audio interfaces. While tours were a bit shorter, move-ins started later, and some things may have seemed a little different, one thing is for sure: PreSonus equipment was found on the field again this past summer! I can’t say enough good things about the products and service at PreSonus!”įor more information on Chad Heiny and his work, Visit: Īfter a hiatus in 2020, Drum Corps activity returned in the Summer of 2021. The Eris E5 XTs sound wonderful in my home office, and I loved the ability to dial them both in with even more detail through the acoustic tuning controls on the back of each monitor. “I love the front-end controls of the Studio 24c for quick adjustments to the volume in my space either when I am listening or recording. The EBM waveguides allow for a wider sweet spot, allowing him forgiveness in With the acoustic tuning controls onboard the Eris monitors, Heiny was able to fine tune the units to his room quickly, allowing him to hear every frequency with a new level of clarity and detail. To complement the interface, a pair of Eris E5 XT studio monitors were chosen for his space. The metering right on the front of the interface also allowed for a constant visual representation of the audio streaming into the unit for quick reference and adjustment. ![]() Heiny works heavily with percussion music, which requires accurate reproduction of subtle details due to the wide variety of timbres utilized in most modern compositions.Ĭhoosing the Studio 24c audio interface for his audio input and output allowed Heiny to record and play back at sample rates up to 192k for crystal clear audio. With a quick email to PreSonus Education Manager Evan Brown, the two discussed the space he works in, and quickly arrived on a solution that suited his needs, while allowing flexibility should he ever look to expand upon the setup. For Chad Heiny, a freelance composer and marching arts arranger, it meant taking a look at his needs and finding the perfect products for his space. As the weeks passed by, the need for high quality sound reproduction rose as composers, creators, and engineers settled into their spaces. For many, the pandemic has brought time at home, and with that came investing in home studio setups. ![]()
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